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The Last Drive-In with Joe Bob Briggs | The Autopsy of Jane Doe Drive-In Totals

Joe Bob Briggs dives into "The Autopsy of Jane Doe," a chilling morgue-set mystery with forensic frights and a supernatural twist. It's a must-watch for horror and thriller enthusiasts.

Editors Note:  Readers are advised that the opinions of guest writers on this website may occasionally diverge from the infallible wisdom of Joe Bob Briggs, and in such cases, Joe Bob cannot be held responsible for any resulting confusion, enlightenment, quantum entanglement, or existential crises.  Enjoy.

If you’ve got a hankerin’ for a horror flick that slices through the usual chaff with a sharp coroner’s scalpel, then buckle up, buttercup. We’re diving into the autopsy room with “The Autopsy of Jane Doe.” This ain’t your average slice and dice—no sir, it’s a veritable feast of forensic frights and family drama, all wrapped up in one chilly, morgue-set mystery.

When Horror Meets the Morgue Table

Imagine this: a pristine corpse of a young woman, found half-buried at a murder scene. No marks, no bruises—just a dead beauty who’s about to spill her secrets under the careful watch of a father-son coroner team in rural Virginia. This father-son team isn’t just dealing with the dead; they’re unpacking layers of their own personal grief, making every incision a cut closer to their own buried issues.

A Close-Up on the Gore and More

Now, some us have seen their fair share of guts and gore on the silver screen, but “The Autopsy of Jane Doe” brings something new to the table—literally. We’re talking up-close-and-personal with the cold, hard innards of mystery. The director ain’t shy about showing us the Y-incision, the rib-spreader in action, and, oh boy, the brain-scooping. It’s a hands-on, organs-out approach that would make any seasoned pathologist nod with respect.

Paranormal Pyrotechnics and Stellar Performances

But wait, there’s more! Just when you think you’re watching a CSI episode, the dead start dialing up the terror. Paranormal pyrotechnics ignite, turning a routine autopsy into a nightmare that no amount of formaldehyde could keep at bay. And let’s talk about the acting—Brian Cox as the jaded coroner could autopsy my beer any day, and Emile Hirsch as the reluctant apprentice brings a fresh fear to the slab. And Olwen Kelly? Let’s just say her performance as Jane Doe is dead-on—literally.

The Verdict

So here’s the breakdown: if you’ve got a stomach for the surgical and a heart for horror, “The Autopsy of Jane Doe” is your kind of movie. It’s got dead bodies, unsettling revelations, and enough jump scares to keep your popcorn airborne. Joe Bob says, check it out—and maybe keep the lights on and the basement door locked.

So there you have it, folks—a movie that digs deep into the horrors that haunt us, both the paranormal and the painfully personal. Grab your popcorn and your courage, and give “The Autopsy of Jane Doe” a watch. Just remember, in this autopsy room, no secret stays buried forever.

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